Angus & Julia Stone are a brother and sister duo (if you didn't already know), who were born and raised in good old Sydney. Fun fact, their parents played as a folk duo before they were born so it's obvious who was influential in their musical career. They have so far released three studio albums their third being their self-titled album that has already peaked at number one. When composing material each sibling writes their own stuff and then they continue by both working on the structure, the harmonies and the overall polishing of the song.
This self-titled album is the first of four years and was completely spontaneous and unplanned. The pair had been working singularly until Rick Rubin heard the pair play at a friend's party. He then went on to contact the brother-sister duo and voilà an album was born (and a pretty good one at that). If I'm going to be honest I was never really a true fan of Angus & Julia stone, their work had never really interested me. The stuff I had listened to of theirs previously was pretty but to me, it had no real substance. This album though, is definitely an improvement and really showcases the true potential the siblings have.
The album is made of 16 songs, of which Julia and Angus alternate taking the lead in. Although I must say that I enjoyed the first half of the album more than the back end of it, my favourites being A Heartbreak, My Word For It and Heart Beats Slow. Their sound remains pretty similar to how it has always been. Vocals are generally ambient, except for the songs Death Defying Acts and Main Street, which is quite comparable to something off of a Lana Del Rey album, perhaps it's a combination of the droning tone of Julia's vocals or the atmosphere of the song in general. The pair seem to have almost emerged from their folky roots and have created a new sound referencing a more pop rock vibe. Vocals are reverb-drenched in most, if not all, of the tracks and bass line is noticeably punchy. All in all a fairly good easy-listening album for a duo who had disappeared from us for a good while there.
I give Angus & Julia Stone's self-titled a 3.5 out of 5 stars.
*You can purchase this album from iTunes, and you can check out Angus & Julia Stone's website at: http://www.angusandjuliastone.com/
Wednesday, 20 August 2014
Saturday, 19 July 2014
Slut, Skank, Whore
"I used to really like Rihanna, you know before she wore clothes that hid nothing but her vajayjay (yes, vajayjay) and posted pics that were G rated?" My friend Grace (picture light blonde hair, blue eyes, mildly conservative views) expressed on our way to class. "So basically before she became a slut". I cringed when I heard that word. It has always been so harsh and always such a bad thing. But I've never really processed the definition, I've always just thought of it as an insult and accepted it. But now I've decided to question it. So according to the 'Free Dictionary', which is reliable enough when compared to 'urban dictionary', a slut is "a person, especially a woman, considered sexually promiscuous". So the average conservative person would nod their head and say "yeah hence the nature of the insult", but why is being 'sexually promiscuous' considered such a terrible and unforgivable thing and why is it so easy to accept that?
Being called a player (basically the male version of slut) is usually used as a term of endearment, even as a point of attraction but as soon as you add 'fe' to male it's disgusting and shameful. Now I am totally being hypocritical right now, as I have fallen slave to unfairly judging people and making assumptions as to how many guys a particular girl has slept with based on the length or (shortness should I say) of their skirt and how low their neck line is but I have decided to make changes to the way I see people. You quite obviously shouldn't judge someone based on what they are wearing or what they look like but I've decided to question this even further. Why have we as a society decided that having a lot of sex is bad? Why have we as a society decided that the naked female body, the body that half the world's population has, is something that we have been urged not to show? Why have we sexualized normality? Why have we sexualized sex itself? Neither the human body nor sex has to be 'sexy'.
The morals of society, the stuff that's supposed to be ethical, acceptable and right, has changed things that are completely normal and completely natural into something that should be hushed and never spoken about. This has had an opposite effect and turned women and our bodies into sexual objects of desire purely because we are not morally (nor lawfully) allowed to show them uncovered. This has turned sex or the reproduction of human beings (you know, that thing that allows our race to live on) into something despicable and 'unladylike'. We, ourselves, have changed the definition of natural and normal and put it on its head, turning it into the complete antonym of the word.
Wednesday, 28 May 2014
Falling: Autumn Mix Tape
You guys are in for something special. ;) So, today I'm releasing my Autumn Mix Tape for 2014, Falling, and it's a good one. It includes songs from some of my favourite artists; Bombay Bicycle Club, Àsgeir, Sticky Fingers and CHVRCHES. If you haven't seen the mix tape I arranged last summer then you wouldn't know what this is. Basically every season I create a 'mix tape' of all of my most favourite songs that I have been listening to on repeat in that space of time. The idea is that I put all of my favourite tunes in one place to a) hopefully get you hooked on songs you haven't heard before and b) to encourage the appreciation of awesome music.
So without further ado:
So without further ado:
Thursday, 22 May 2014
Stand Tall Amongst Giants
I've been really quite shit at posting these past couple of months and I'm going to try and improve at that, but this time I like to think I have a reason for it (even though it's more than likely I don't). So basically I applied for an internship with a magazine at the end of March, and if I'm going to be completely honest I only applied because my mum encouraged/forced me to do it. Oh and also I'm trying a new thing this year where I try to not be completely lazy, and it's actually working out so far. I got a job, a main role in my school musical, started guitar lessons (finally) and I got into this internship thing! Woo!
Anyway this past week I've been taking a tram and train into Richmond where the Jesuit Communications Office is everyday at 9.00am and I haven't been late once, which I'm genuinely astonished at. And I am so super glad that my mum "encouraged" me to apply for this internship as it has been an incredibly valuable and eye-opening experience for me. It has not only allowed me to have my writing published and printed in an actual publication but I've met and made 5 new friends, it has allowed me to star in a photo shoot ;) and it has most importantly re-confirmed my love for writing and my dream of becoming a journalist.
Each issue of this magazine, tries to convey a message through a theme. Our theme stemmed from a quote that Pope Francis said late last year (I think) "Ask God what he wants from you and be brave". This theme and the idea of valuing bravery as a whole has really got me thinking about how underrated courage really is. The only collection of people who tend to admire the quality of courage are young children, and even then the only thing they seem to be able to connect bravery with are the knights, super heroes and soldiers who roam their imagination. And I think that's a real shame.
Now I'm not going to ignore the fact that policeman, soldiers, firefighters etc. do not deserve all the praise they receive as the things they do on an everyday basis are absolutely incredibly and undeniably courageous but why should only one 'category' of people be known to embody the label of courage? Okay so say we take the definition of bravery i.e. 'ready to face and endure danger or pain; showing courage', clearly this doesn't exclusively include only those of us with guns in our hands. So then what about all the people who endure their own world of pain every single day? What about the people who wake up every morning feeling completely empty, seeing no logical reason whatsoever to see the light of day ever again? What about the people who go to bed without a shelter over their head and food in their stomachs? Surely that takes courage too? So why do we so easily roll our eyes at the small steps of bravery everyday people take on a daily basis? Why are things such as getting up and facing the day and not giving in, not considered courageous, or even important to any of us? The answer to these rhetorical, possibly pretentious, questions are that we feel like we don't have enough time to credit things so 'petty' and so 'unrelated' to anyone that it doens't involve but does that not give, the people at question, little to no reason to continue fighting their battles? I guess I'm merely giving credit where credit is due.
Anyway this past week I've been taking a tram and train into Richmond where the Jesuit Communications Office is everyday at 9.00am and I haven't been late once, which I'm genuinely astonished at. And I am so super glad that my mum "encouraged" me to apply for this internship as it has been an incredibly valuable and eye-opening experience for me. It has not only allowed me to have my writing published and printed in an actual publication but I've met and made 5 new friends, it has allowed me to star in a photo shoot ;) and it has most importantly re-confirmed my love for writing and my dream of becoming a journalist.
Each issue of this magazine, tries to convey a message through a theme. Our theme stemmed from a quote that Pope Francis said late last year (I think) "Ask God what he wants from you and be brave". This theme and the idea of valuing bravery as a whole has really got me thinking about how underrated courage really is. The only collection of people who tend to admire the quality of courage are young children, and even then the only thing they seem to be able to connect bravery with are the knights, super heroes and soldiers who roam their imagination. And I think that's a real shame.
Now I'm not going to ignore the fact that policeman, soldiers, firefighters etc. do not deserve all the praise they receive as the things they do on an everyday basis are absolutely incredibly and undeniably courageous but why should only one 'category' of people be known to embody the label of courage? Okay so say we take the definition of bravery i.e. 'ready to face and endure danger or pain; showing courage', clearly this doesn't exclusively include only those of us with guns in our hands. So then what about all the people who endure their own world of pain every single day? What about the people who wake up every morning feeling completely empty, seeing no logical reason whatsoever to see the light of day ever again? What about the people who go to bed without a shelter over their head and food in their stomachs? Surely that takes courage too? So why do we so easily roll our eyes at the small steps of bravery everyday people take on a daily basis? Why are things such as getting up and facing the day and not giving in, not considered courageous, or even important to any of us? The answer to these rhetorical, possibly pretentious, questions are that we feel like we don't have enough time to credit things so 'petty' and so 'unrelated' to anyone that it doens't involve but does that not give, the people at question, little to no reason to continue fighting their battles? I guess I'm merely giving credit where credit is due.
Friday, 9 May 2014
Album Review/Gig Review: Ball Park Music, Puddinghead
I attended Ball Park Music's album release for Puddinghead* on Saturday the 3rd of May at the Corner Hotel. It was the best gig/concert/music performance thing that I have ever been to. And that says a whole lot. Everything about it was perfect the support acts, the music, the crowd, the venue, the weather. I booked the tickets a while ago as I planned to go with some friends who went with me to the San Cisco performance around the same time last year. I saved the album to my Spotify and I couldn't stop playing it. So you could say I really liked the album as it stood. But as soon as I heard it live, along with many of my favourite Ball Park Music songs from previous albums, it turned to true love. (excuse my clicheness (it's a word)).
The thing I loved most about Ball Park Music's performance was the fact that they really put on a show, they entertained and I think that's the thing that has started to lack from performances lately. Artists tend to just play their songs exactly as they are on their albums, without changing a thing and with as little interaction as possible. But both Ball Park Music, Papa vs Pretty and Holy Holy (the support acts), really talked to the people who had paid to see them. Ball Park Music, especially, changed their songs up a little with longer guitar/drum solos and I remember during one of their songs (I can't remember which one) they had a massive break in which Sam changed into a leopard print dressing gown, leaving the audience in suspense, before they went on to completing the song.
Anyway onto the actual album. Ball Park Music are a band from Brisbane, Australia made up of frontman Sam Cromack (guitar/vocals), Jennifer Boyce (bass/backing vocals), Paul Furness (keys/trombone), and twins Dean Hanson (guitar/backing vocals) and Daniel Hanson (drums/backing vocals). They released they're first EP back in the April of 2009 which was titled Rolling on the Floor, Laughing Ourselves to Sleep. They have released three full albums in total which include; Happiness and Surrounding Suburbs, Museum and now Puddinghead. Puddinghead managed to reach number 2 on the Australian iTunes Chart, which is a massive achievement for the band. The most popular songs on the record was the leading single She Only Loves Me When I'm There, as well as Trippin' the Light Fantastic and Everything is Shit Except My Friendship With You.
She Only Loves Me When I'm There:
This was the first song that really caught my attention and separated itself from the others. It starts off slowly with merely a synth accompanying Cromack's amazing voice. Then it breaks out into a strong drum beat and a fab electric guitar riff. The song continues to build before exploding into the lyric the song is titled after, 'SHE ONLY LOVES ME WHEN I'M THERE'. The song concludes by bringing you right back to where you started, slow, with a synth and ending on a high note (literally: ba doom tsh).
Trippin' the Light Fantastic:
Again this song starts off slow with a synth accompanying the fast-paced and well written lyrics. This proceeds into a voice-altered/electro-feeling 'trippin' the lights fantastic' to act as a hook-line and to assist with the transition from verse to chorus. This song is very energetic and I love the mix of the horns and electric guitars. A high-light on the album and amazing live.
Everything is Shit Except My Friendship With You:
This track begins with a really lovely and easy-listening guitar riff which is carried throughout the first verse. After the short verse there are a few bars which consist solely of drums and electric guitars which really helps to bring the energy levels up in the song and assists in preparing you for the chorus. The chorus itself is incredibly fun with a simple harmony just to bring something extra.
I give Puddinghead a 4.5 out of 5 stars.
*You can purchase this album from iTunes, and you can check out Ball Park Music's website at: http://www.ballparkmusic.com/home
The thing I loved most about Ball Park Music's performance was the fact that they really put on a show, they entertained and I think that's the thing that has started to lack from performances lately. Artists tend to just play their songs exactly as they are on their albums, without changing a thing and with as little interaction as possible. But both Ball Park Music, Papa vs Pretty and Holy Holy (the support acts), really talked to the people who had paid to see them. Ball Park Music, especially, changed their songs up a little with longer guitar/drum solos and I remember during one of their songs (I can't remember which one) they had a massive break in which Sam changed into a leopard print dressing gown, leaving the audience in suspense, before they went on to completing the song.
Anyway onto the actual album. Ball Park Music are a band from Brisbane, Australia made up of frontman Sam Cromack (guitar/vocals), Jennifer Boyce (bass/backing vocals), Paul Furness (keys/trombone), and twins Dean Hanson (guitar/backing vocals) and Daniel Hanson (drums/backing vocals). They released they're first EP back in the April of 2009 which was titled Rolling on the Floor, Laughing Ourselves to Sleep. They have released three full albums in total which include; Happiness and Surrounding Suburbs, Museum and now Puddinghead. Puddinghead managed to reach number 2 on the Australian iTunes Chart, which is a massive achievement for the band. The most popular songs on the record was the leading single She Only Loves Me When I'm There, as well as Trippin' the Light Fantastic and Everything is Shit Except My Friendship With You.
She Only Loves Me When I'm There:
This was the first song that really caught my attention and separated itself from the others. It starts off slowly with merely a synth accompanying Cromack's amazing voice. Then it breaks out into a strong drum beat and a fab electric guitar riff. The song continues to build before exploding into the lyric the song is titled after, 'SHE ONLY LOVES ME WHEN I'M THERE'. The song concludes by bringing you right back to where you started, slow, with a synth and ending on a high note (literally: ba doom tsh).
Trippin' the Light Fantastic:
Again this song starts off slow with a synth accompanying the fast-paced and well written lyrics. This proceeds into a voice-altered/electro-feeling 'trippin' the lights fantastic' to act as a hook-line and to assist with the transition from verse to chorus. This song is very energetic and I love the mix of the horns and electric guitars. A high-light on the album and amazing live.
Everything is Shit Except My Friendship With You:
This track begins with a really lovely and easy-listening guitar riff which is carried throughout the first verse. After the short verse there are a few bars which consist solely of drums and electric guitars which really helps to bring the energy levels up in the song and assists in preparing you for the chorus. The chorus itself is incredibly fun with a simple harmony just to bring something extra.
I give Puddinghead a 4.5 out of 5 stars.
*You can purchase this album from iTunes, and you can check out Ball Park Music's website at: http://www.ballparkmusic.com/home
Sunday, 27 April 2014
The Alex Day Scandal
I have only just learnt of the Alex Day Scandal, 'only' meaning an hour ago. The learning of this news and everything surrounding it has made me feel very heavy hearted and incredibly uncomfortable. Okay, so basically I began watching Alex Day's YouTube videos about 7 or 8 months ago and I have to admit that I absolutely loved and looked forward to each and every video, I quietly supported him and was a very proud viewer who loved his content and the fact that he made me laugh and happy. But around a month ago he stopped posting videos. I often checked the comments to sort of suss out what was going on but there was nothing useful until today, when I checked. Every other time I'd only seen similar comments to mine, 'Alex where are you', 'Alex we miss you'. But today the comment section was filled with comments such as; 'he rapes kids' and 'you've been a very naughty boy'. Obviously I was very confused, so I searched all over the internet and came across a tumblr page that was basically a compilation of everything related to the Alex Day Scandal. I read every single link and there were at least 10 victims all speaking up on all the immoral things Alex had committed.
So what has he actually done? It took me at least half an hour to find out. In one sentence he has; flirted with girls under age, manipulated young girls both emotionally and physically, cheated on many people and has taken advantage of his large audience who are made up mostly of young girls ranging from the age of 13 to 17. The common factor of each victim was that Alex was attempting to have sex or make other romantic advances on them which they did NOT consent to. The definition of consent in this context is a full and whole-hearted yes. Each victim talked about how after saying no, Alex would either make them feel completely guilty about their decision, ignore them from that point forward, or continuously, for hours after the rejection, pester the victim and bully the victim into doing the act at hand. Most victims were fans whom he'd met online. This is another problem I have with the scandal. He took advantage of the position he was in (high up on a pedestal for much of his audience) and used this position to manipulate people and get the disgusting and immoral things he wanted. It has been reported that he even waited until a victim turned 16 so that he could 'get away with it'. He abused his fan's trust and completely took advantage of it and it sickens me to the core.
I have also been in situations where I have felt both pressured and guilty for making the decisions that were right for me but I am sure as hell thankful that it was not with someone such as Alex Day; a 21 year-old man who has a large fan base who all admire him greatly. Basically the very befuddled point that I am attempting to make here is that, yes, kids are taught from a very young age that there are a lot of creepy people in the world but the thing that we are not taught is that sometimes those creepy people are the people whom we grow to fangirl over, admire and love. Stay safe kids. xx
So what has he actually done? It took me at least half an hour to find out. In one sentence he has; flirted with girls under age, manipulated young girls both emotionally and physically, cheated on many people and has taken advantage of his large audience who are made up mostly of young girls ranging from the age of 13 to 17. The common factor of each victim was that Alex was attempting to have sex or make other romantic advances on them which they did NOT consent to. The definition of consent in this context is a full and whole-hearted yes. Each victim talked about how after saying no, Alex would either make them feel completely guilty about their decision, ignore them from that point forward, or continuously, for hours after the rejection, pester the victim and bully the victim into doing the act at hand. Most victims were fans whom he'd met online. This is another problem I have with the scandal. He took advantage of the position he was in (high up on a pedestal for much of his audience) and used this position to manipulate people and get the disgusting and immoral things he wanted. It has been reported that he even waited until a victim turned 16 so that he could 'get away with it'. He abused his fan's trust and completely took advantage of it and it sickens me to the core.
I have also been in situations where I have felt both pressured and guilty for making the decisions that were right for me but I am sure as hell thankful that it was not with someone such as Alex Day; a 21 year-old man who has a large fan base who all admire him greatly. Basically the very befuddled point that I am attempting to make here is that, yes, kids are taught from a very young age that there are a lot of creepy people in the world but the thing that we are not taught is that sometimes those creepy people are the people whom we grow to fangirl over, admire and love. Stay safe kids. xx
Thursday, 24 April 2014
Waking Up On The Wrong Side Of The Bed
Step 1:
As soon as the fire fighter sirens start filling my ears
like water to a jug, I know it’s 7:30am. I sit up and gather my thoughts. I
search for the off button on my time-telling device to shut it up and press it,
hard. I collapse back down onto the array of mismatched and scattered pillows,
not prepared for the hell that is ‘waking up’. If you were wondering I do manage to make it out the door everyday. Just.
Step 2:
In a zombie like stance, I pull my right arm and then my
left arm through a faded apricot hoodie that I left lying on the floor the
night before. I glance back at the cocoon, that is my bed and very seriously
consider coming back to it’s open arms. But I don’t, because ‘education is
vital to a successful career’ and with a successful career comes money and
money brings happiness. Don’t even try to deny it. I lift one foot and move it
forward as do I with the second and eventually make it to the kitchen,
attempting to look like I’d been up for hours doing something productive. Mum
sees straight through me, she always does.
I reach for the closest edible item in my kitchen and put it
into the toaster, hoping that it’ll at least be warm. Mum has already made me
tea, so that’s the first good thing to happen to me in my day. I wait two
minutes, trying to keep my eyes open for as long as possible, and reach for
both the margarine and vegemite. I pick my tablets. Two massive greeny coloured
tablets, one pink speckled tablet and one minuscule white powdery tablet. All
claiming to give me a healthy immune system, energy for the day and good skin,
it’s laughable.
My toast should be ready by now, so I scrape on the
margarine (it has to be melted) and
then add a minimal amount of vegemite (key word is minimal) and I sit down at
the table, so ready for the day*.
Step 4:
Breakfast is now done, the time is about 7:45 and I head
down to my room, much more awake and not at risk of hypothermia. I check my
phone, purely because I can’t help myself and after about 5 minutes of getting
completely distracted I set my mind back on the task at hand. I consider
wearing the correct uniform but choose my sports instead, weighing up the
risks, my chances of getting caught don’t seem too bad. As I’m about to slip on
pants, the screaming begins. Madeline Kelly, echoes around the house bouncing
off each wall, I shout back to keep the screams at bay. If I reply she won’t
scream for at least another five minutes. I’m wrong each time. I slow down in
spite, call me a nuisance, but I’m now mad at this point. I manage to dress
myself in about ten minutes, the time is now 8:10. I grab my laptop, phone and
any book in my room and head to the bathroom, well aware that I’m going to be
late for school but not caring enough to hurry up.
Step 5:
The bathroom is mine, my brother is still asleep. The
screaming begins again. I make the rash decision to keep my pace the same. I see my face
in the reflection of the mirror and immediately look away, mirrors were never a good
invention. I find my tooth brush, squeeze the white goo that is toothpaste
onto the bristles of the brush and run it under cool water for no longer than a second*. I
brush for two minutes listening to the screaming echoes and decide to cut my
teeth brushing short. I run a brush through my hair, really not caring enough
to put much more effort than that into it and then retrieve my still unpacked
bag. The time is now 8:20.
Step 6:
I shove the items in my vicinity into my bag not bothering to check if I
have everything and merely hoping. Mum is now in the car; her screams can no
longer reach me. I leisurely take my time walking through the door that takes
me into my garage and I collapse into the car not happy to be leaving home. I
listen to the lecture about how leaving
for school at 8:25 is never going to
happen again otherwise my lazy self can get on my bike and ride to school and
how she hopes to God I get a detention. I merely grunt for an answer. For
the 10 minute journey I reflect over how useless half the subjects at school
are to my actual life and how the most important part of life is surviving and wondering how pythag’s
going to help me survive in life but
if I do say anything mum will just ignore me and say how lucky I am to have
this privilege. I’ll acknowledge that fact and accept it and pretend to dismiss
my previous thoughts entirely. Pretend.
Step 7:
I arrive at school. The time is now
8:37. I am late. But better late than never. Right? Right.
Ha. If anyone does end up reading this they’ll notice two
things, 1) how lazy, melodramatic and ungrateful I am and 2) how I couldn’t
care less. But really, I wanted to convey how many physical journey’s people
endure every single day, mostly without complaint. We endure these journey’s,
no matter how big or how small, no matter alone or with company, to get from
place A to place B. A journey is a process in which we use to achieve a final
destination.
*If you didn’t detect
the sarcasm in that sentence I am sincerely sorry.
*The water must always
come after the toothpaste, never before.
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